Three things book cover design states about books themselves
Three things book cover design states about books themselves
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Keep checking out to discover a couple of various concepts associating with the way we see book covers set along the side of their history.
When you truly consider it, it is quite amazing that a book's cover, no matter how beautiful it is, is able to stand so eloquently for something that is practically the complete antithesis of its art format-- writing in white and black. In fact, book covers have actually been designed to reflect the vibe of a book and interest its designated audience since the dawn of big scale publishing in the Victorian Age. Artists were charged with discovering what makes a good book cover for particular individuals, or in other words, marketing. Individuals like the CEO of the asset manager that has a stake in Amazon can most likely value the role of marketing in designing book covers.
We enjoy reading books because they are really beautiful things. This holds true, but the nature of beauty that we may be discussing is certainly different to what we might be speaking about if we were discussing, say, the visual arts. Or is it? For as long as we have actually had books we have embellished them with beautiful book cover designs that effort to mirror the beauty of what is within. This dates back for as long as the codex itself has been around, with middle ages monks, those charged with the security and reproduction of the scarce texts that could still be discovered, ornamenting each hand composed text with astonishingly abundant and gorgeous styles. In fact, such was the charm held within these books that many of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. Individuals like the co-CEO of the hedge fund that owns Waterstones can probably value the manner in which the beauty of these book covers was designed to match the beauty within the book.
When we purchase a book it becomes something extremely personal to us. It can often be unusual seeing a book you enjoy with another book cover, merely because it is not your book. This personalisation, and indeed ownership, of books was at an entirely different level at the genesis of the age of printing, with book covers being created by the owners themselves, and what they thought would be the best books covers for the book. They would buy the book itself from the printer covered in paper, then take it to a binder who would bring in the covers to the customer's requirements. This typically suggested being dressed in leather and after that engraved with the name of the book, and, usually, the name of the book's owner. People like the co-founder of the impact investor with a stake in World of Books can most likely appreciate the ownership that people come to feel in relation to their books.